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Skillet has proven in their recent history to be a consistent band that doesn't deviate much from their self-set standard. It's at the point where this method of songwriting is creating similar themes not out of purpose, but out of replication. It's not that these themes don't merit discussion, but Rise's concept has undeniably been realized before in smaller doses from the same band. And these sorts of themes aren't especially new, either since tracks like Comatose's 'The Last Night' and 'Those Nights' hit the scene, similarly-themed tracks from the same band seven years after the fact don't resonate nearly as well as they could. The truth is that it's hard to trace one cohesive story through the entirely of Rise even when it's called out, except that each song could relate to one person facing similar struggles.
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While the band claims that this concept grew organically and wasn't planned from the start, this delivers a level of confusing structure to the album. What Rise does differently from past Skillet albums is its attempt to be a 'concept album,' where the entire album attempts to tell a story that reflects the American teenager growing up and realizing the terrors of real life in the present and ahead. For any 'panheads' that felt alienated by Awake's less-than-impressive showing, Rise tends to steer clear of this level of 'sameness' and does shake things up a bit. While it had delivered on the facets of Skillet's recent trends with plenty of power ballads and monster riffs, it merely fulfilled the definition of Skillet's sound without attempting to exceed it (track titles like 'One Day Too Late,' 'Should've When You Could've,' and 'It's Not Me It's You' should say it all). After Comatose proved to be a game-changer for the band's market possibilities, 2009's Awake was a disappointing effort for many.